“Sa Sartiglia”是尼克拉马龙珠的艺术计划，它就介绍Oristano这个城市的传统习俗和它的原始模型。主角就是无限制方面的撒丁岛，它的这些方面都是通过每一个唯一的作品透漏，从特种到万象的。它的起点是 “Su componidori” 的面具，它超越迷人的，专有的，精彩的和感动人的 Oristano狂欢节的景色，使观众的了解提高而还使他们变成这个无限实体的主要人物。
为了达到这个目的他独享地利用阿方素坎福拉的帮助和合作。阿方素坎福拉通过一个珍贵和 仔细的手工作过程把这些元素改造好。这样创造了这些作品: Bella’e die, Maitzóla, Camelia, Moros, Tirsu, DNA (…) 还创造了这些合集: Über Alles, Equinóziu, Destinu, Essèntzia, 都塑造成无限的象征。
to the Water-Worship
Prehistoric, historic and contemporary times
Voyage through the places, the rites and the traditions of Sardinia, with a glance into their ancient roots, behind carnival masks. The interconnections between the signature elements of sardinian Carnival – with its various typical characters as well as its ritual combats – and Death and Resurrection Myths that can also be found in rites of Adonis (Siria, Phoenicia), Dyonisus (Greece), Baal (Canaan) Osiris (Egypt), Tammuz (Babylonia). The “Carnival” (Italian: “Carnasciale”, Sardinian: “Carrasciale”, “Carresegare” or “Carrasegare”) read as “submersion, flooding, inundation and desecration” of the Power. The precious traditional event held at Oristano during Carnival, called “Sartiglia”, can also be observed into its genesis, into its ancient inception – way beyond of its reformulation occured during the times of spanish domination in Sardinia. In this way, going back to the archaic roots of Sartiglia, we can look at the true nature of “Su Componidori” (the sacred and leading character of Sartiglia, holding that special object named “Pippia de Maju”) as a Shaman, an Estatic, a Prophet: “the one who makes water pouring out from clouds”.
Related to water worship, we also have various nuragic holy wells and springs, in Sardinia. Waters known as healing, miraculous: for example, in San Leonardo di Siete Fuentes (located next to Santu Lussurgiu) Templars even built an hospital, as well as a church. Therefore, we can find many types of sardinian ritual/ceremonial breads, related to ancient rites dedicated to Adonis. An example is Su Pani de is Bagadius, in Siurgus Donigala: they use to transport this special bread, evoking the Dead Jesus Christ on the Cross. Priestesses and priests, just as the various personifications of Nature’s God, have been morphed (reversing their original sense) over the time into “devils” (Maimòni/Maimòne, Cambilargiu, Brutu, Mascazzu, Leunardu, Musteddìnu/Boe Muliake), in Sardinia. Everything about this is related to the same cult: the Cult of Water.
Sardinia, stunning holiday destination but, first and foremost, sacred place – in the deep, powerful sense of the word – rich in evidences, as we have seen; and we must take care of such evidences, we have to preserve them and to interconnect them, in order to be able to get (so to share) the Essence: a Holy Well, a Nuraghe, a Domu de Jana, the Giants of Mont’e Prama, as well as each and every word, expression, tradition and toponym of Sardinia, are our Treasure.
In this documentary preview are visible the installations which are part of the artistic project called “Sa Sartiglia”, and they have been composed choosing from among 33 artworks of the first cycle originated through the collaboration between Nicola Marongiu and Alfonso Canfora.
Each artwork is uniquely named and is moulded into materials connected or inspired by elements, archetypes, geographical names, traditions and rites that bring to the Universal through the Particular.
Symbolic locations chosen for these installations, are:
Pozzo Sacro of Sardara (archaeological site of Sant’Anastasia)
San Leonardo di Siete Fuentes, Santu Lussurgiu
Nuraghe Losa, Abbasanta.
“Sa Sartiglia” images
A sneak preview of “Sardegna Tempio delle Acque: behind the scenes”. Some Artworks from Sa Sartiglia artistic project are visible here as protagonists of the installations composed in the symbolic locations of Sardegna Tempio delle Acque.